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NFTs and Their Overlooked Consequences

October 3, 2021October 3, 2021 Ben Soto

Six months ago, an extremely small number of people even knew what a Non-Fungible Token (NFT) was. Last month, OpenSea, the leading NFT marketplace, recorded $3.4 billion in transaction volume for the month of August. It’s obvious that NFTs have captured the interest of many, but unfortunately some of their

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Hobby Lobby Held Accountable for Art Trafficking, But Not The British Museum

September 30, 2021September 29, 2021 Sara Sanguinetti

This summer, Christian arts and crafts store corporation Hobby Lobby was ordered to give up a rare Sumerian cuneiform tablet to the U.S. government. This is not the first time Hobby Lobby has been in hot water for acquiring ancient artifacts illegally. In 2016, homeland security officials found evidence of

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Eyes Inward, Ears Covered

November 8, 2020April 2, 2021 Abbey Korte

TikTok is an app that’s been creating much hubbub in the news and even more issues in the last year than almost any other social media app in the past. This is an app that allows users to make videos up to one minute long and use either original sounds

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Ice on My Wrist a Masterpiece or a Sham? Why you Should (or Shouldn’t) Care

October 11, 2020February 23, 2021 Jacob Obujen

What qualifies as Art? A definition too narrow, and Great Works of history and today become excluded. A definition too broad, however, can begin to define everything as Art. Even with the right definition though, what is Art and what it is not is subject to what society as a

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Welcome to the World Outside Yourself

October 11, 2020February 22, 2021 Abbey Korte

Driving to a destination requires that the driver be alert and looking for signs indicating where they are headed. Anyone who drives is familiar with the road signs along the freeway or highway telling travelers that there is a McDonald’s and an Arco gas station and an Olive Garden somewhere

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Weaponized Art

September 20, 2020February 14, 2021 Gabriela Fellingham

When looking at the history of art and art ownership, it is evident that art has commonly been created by artists from lower classes specifically for the use of society’s wealthy, powerful figures. Although an artist would create their art and be compensated for it, the message of the art

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The Origins of Blotter Art

September 20, 2020February 14, 2021 S. Lowe

Purple Jesus. Beavis and Butt-Head. A Pegasus flying through the night sky. You would be hard-pressed to find a common denominator between the three, but the answer lies in San Francisco, California. All of those transcending images are on display as blotter art at Mark McCloud’s “Blotter Barn”, an expansive

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Proximity\’s Relationship to Art and Crime

September 20, 2020February 14, 2021 Abbey Korte

Where and how artwork is displayed can oftentimes have just as much effect on the viewer’s experience as the artwork itself. A piece can be meant to be admired from afar, or from as close as possible – this can be pre-determined by the artist themselves or be a happenstance

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Reverse Consumption Project During a Pandemic

May 1, 2020February 14, 2021 Allyson Rega

A class of mine had a project called reverse consumption. The idea of the project was to buy a product, mess with it somehow, and put it back on the shelf. When the semester first started, I bought a bunch of puzzles with my roommate and decided that I could

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The Nutshell Studies of Unexplained Death

May 7, 2019February 14, 2021 Emily Jean Versoza

Through out the 1940s and 1950s, Frances Glessner Lee, who was a pioneer in forensic science, constructed a series of nineteen doll house styled crime scene models that were one inch to one foot scale. These models were inspired by other homicide, suicide, and accidental death cases. At the time,

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About Us

The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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