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“If somebody did it to your kid, you’d do it too”: The Case of Gary Plauché

December 4, 2025 Andrew Esteverena

What comes to mind when you think of vigilante justice? Batman? What about a case of someone taking justice into their own hands when our legal systems fail to deliver it? What about before our legal systems even have a chance to deliver justice? There are numerous such cases of

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How Modern Tv Romanticizes Crime

December 18, 2017February 14, 2021 Tristan

Criminal behavior has been defined in many theories. A lot of these discuss the evidence that crime occurs as a result of biological or sociological circumstances. It draws question of whether crime is a result of inherent human nature, or that society provides elements that cause people to commit crime.

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Coffy the Vigilante

July 25, 2016February 14, 2021 bgoeltzenleuchter

As the synopsis says “a nurse, Coffy (Pam Grier) has seen the ill effects of drugs up close, but it isn’t until her little sister becomes addicted to heroin that she finally decides to wage a one-woman battle. Disguised as a prostitute, Coffy goes on a killing rampage, at first

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Leave it to Dexter

November 1, 2012February 14, 2021 bgoeltzenleuchter

In the 1970s, blockbuster movies in the United States helped fuel the perception that killing society’s worst criminals was a heroic act made necessary by a legal system with loopholes that allowed them to evade punishment. Movies like “Dirty Harry” and “Death Wish” featured white men who, fed up with

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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