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Month: October 2017

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“You Are Welcome Here”

October 11, 2017February 14, 2021 bgoeltzenleuchter

Ten months of fingerprints, an interview, an examination, close evaluations of my driving record and trips outside of the U.S. later, I have made it to my Naturalization Ceremony. Almost one year ago I applied to become a citizen of the United States of America, mailing in my N-400 application

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Confederate Statues: Symbol of Cultural Art or Racism?

October 10, 2017February 14, 2021 bgoeltzenleuchter

The history of America has been preserved in different artistic materials such as the Confederate statues. These statues have particular expressed America’s violent history and had celebrated it as such from one generation to another. However, there has been a wave of violence sparked by the debate surrounding these confederate

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Art’s Burden

October 5, 2017February 14, 2021 bgoeltzenleuchter

A twelve-year-old boy was seriously injured from a motor scooter accident and the doctor had to administer immediate surgery; the surgery was so urgent that anesthetic was not given. What kind of impact do you think this would have on a kid? For Chris Burden, he called it “formative”, and

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The Man, The Myth, The Legend

October 5, 2017February 14, 2021 bgoeltzenleuchter

In a string of contradictions, one man successfully attains the status of being both a famous artist and infamous criminal at the same time. Joe Gibbons is the man, his notoriety as an art thief makes him the myth, and his legacy as an artist makes him the legend. Since

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The Vandalism of the Little Mermaid

October 5, 2017February 14, 2021 bgoeltzenleuchter

Who would have thought that the Little Mermaid would amass such great controversy in the country of Denmark? The Little Mermaid statue in Copenhagen, Denmark, was commissioned by Carl Jacobsen of Carlsberg beer as a gift to the city. Based on the Danish author Hans Christian Andersen’s fairytale “The Little

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Are You Alt-Right, Pepe?

October 4, 2017February 14, 2021 bgoeltzenleuchter

Pepe the Frog used to be a simple cartoon character; that is, it was that until it was stolen from the creator and started being used by the alt-right. Matt Furie is the artist and creator of Pepe the Frog; he created Pepe for the cartoon Boy’s Club in 2005.

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The Year I got Kohl for Christmas

October 4, 2017February 14, 2021 bgoeltzenleuchter

I am a 4.0, honor student, delinquent. I volunteer my time with refugees, keep up a rigorous academic schedule, am on multiple executive boards for extracurricular activities at my school and I have a criminal record for petty theft. It all started back in middle school when me and my

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Freeing Black Masculinity

October 4, 2017February 14, 2021 bgoeltzenleuchter

“You have to decide as a child if you want to ‘pass’ into these spaces by wearing a false machismo or do you want to deal with the social consequences of being yourself.” This quote epitomizes the internal conflict children must face when negotiating their own individual self within the

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system.out.printTitle(‘The Art of Hacking’);

October 3, 2017February 14, 2021 bgoeltzenleuchter

More detailed than realism paintings, more intricate than gothic architecture, computer coding is art on the smallest scale comprehendible. Is it not art that humans have learned to control electrons—electrons—to do our will? Thanks to those negatively charged balls, the smallest freaking thing in the universe, I can have a

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Controversial Mural Finally Sees the Light of Day

October 2, 2017February 14, 2021 bgoeltzenleuchter

Twenty seven years ago, Barbara Carrasco was commissioned by the city of Los Angeles to create a mural for the city’s bicentennial celebration in 1981. She wanted create a work that really spoke from her heart, so drawing on her perspective as a Mexican-American woman, she set to work on

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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