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Year: 2020

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Racism Choreographed into a High School Dance Team

November 8, 2020March 30, 2021 Emma Webber

In July of 2017, Camille Sturdivant was preparing for her senior year at Blue Valley Northwest High School in Overland Park, Kansas. She was proud to be a returning member of the Dazzler Dance Team at the high school. Additionally, she was one of two black girls on the dance

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Re-Recycled Guns

November 8, 2020April 2, 2021 Cameron Shults

While America as a whole has countless issues that find their way into everyday debates, one of the most heated of these has got to be gun control. With their dual ability to both protect, as well as harm, guns in America were always going to have to be talked

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The Godfather of Counting Cards

November 7, 2020February 14, 2021 Ryan Grove

Blackjack is a rather simple game when observing from afar. All you have to do is try to get your cards to add up as close to 21 as possible, without exceeding that number. What people from afar fail to realize is how much more is involved to be successful

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K-Pop, a Melting Pot of Cultures?

November 7, 2020March 12, 2021 Faith Goh

Using other people’s culture as aesthetic, commodifying it and selling it, packaging it away and manipulating it in a way that wasn’t the original intent, and stripping away its original meaning — it’s the hot word that seems to be everywhere on Twitter — cultural appropriation. Cancel culture follows right

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Don’t Piss Off the Government

November 7, 2020March 12, 2021 Megan M

While art can be utilized in an infinite amount of ways, it is of highest importance when it causes disruption in societal norms. As you can imagine, the 60-by-40-inch art piece by Andres Serrano called Immersion (Piss Christ) infuriated the right-wing legislators during the time of the “culture wars.” The

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The Art of Stringing Along Scammers

October 12, 2020February 23, 2021 Maya G.

We’ve all been targeted by scammers. I wish I were kidding when I say that—between starting and finishing this article—my bank’s fraud department contacted me to say that someone had gotten a hold of my credit card number (1). Whether it’s “This is the IRS calling, there is a problem

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The Surfing Madonna – Cultural Phenomenon or Graffiti?

October 11, 2020February 23, 2021 Mariijke van der Geer

Every weekend I drive through the sleepy surf town of Encinitas, California. Amidst the cafes and bike riders lies a criminal work of art. The Surfing Madonna statue, as it has come to be known, in Encinitas is a controversial artwork that combines the image of the Virgin de Guadelupe

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Are We Denying Ourselves of the Absurd?

October 11, 2020February 23, 2021 Chloe Verbestel

Absurdism, a philosophical belief, brought about by Albert Camus as a branch off from existentialism in his essay “The Myth of Sisyphus” (1955). Absurdism is belief rooted in the Universe being a place of absolute and purposeless chaos in which we cannot even pretend to control. Whereas the philosophy that

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Why My Mom Knows Pop Songs

October 11, 2020February 23, 2021 Serena Santoro

So I was driving home with my mom when a popular song came on the radio. Naturally, I started to sing it… “you got a fast car, I want a ticket to anywhere,”… and somehow my mom recognized the tune. I thought to myself there’s no way she’s up with

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Frank Abagnale: Con Man

October 11, 2020February 23, 2021 Anikin Domingo

Teaching assistant. Attorney. Physician. Airline pilot. These are just four of the eight identities Frank Abagnale Jr. assumed between the ages of 15 to 21 years old. Now a security consultant and a lecturer for the Federal Bureau of Investigations, Abagnale has been dubbed the “greatest con-artist of all time.”

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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