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Day: November 27, 2015

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Abramović’s Performance Blurs Lines Between Audience and Performer

November 27, 2015February 14, 2021 bgoeltzenleuchter

Until recently, performance art had not been widely accepted as a form of expression. However, one woman was able to change this public opinion in the mid-1970s. Born in Belgrade, Serbia, Marina Abramović’s first well-known performance piece proved that calling herself the “grandmother of performance art” is anything but inaccurate.

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Money, Power, and Exploitation

November 27, 2015February 14, 2021 bgoeltzenleuchter

The line between cultural appropriation and appreciation is thin, but some things just can’t be argued. Cultural appropriation is a highly contested issue, and yet again we see another example of this with the Inuit people. The Inuit are a people living in the North, whose clothing consists of parkas,

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Challenging Censorship in Korea

November 27, 2015February 14, 2021 bgoeltzenleuchter

K-pop, Korean pop, is a rapidly growing industry, reaching vast audiences across the globe. If anything, k-pop has more popularity internationally than they do in its own country. With more global influence and the shift to cater to international audiences, k-pop groups have moved to more risqué concepts that suit

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Ill-Planned Nazi Adverts for Phillip K. Dick Show

November 27, 2015February 14, 2021 bgoeltzenleuchter

Recently, Amazon released an episodic adaptation of Phillip K. Dick’s novel The Man in the High Castle through their TV streaming service. The show, like the book on which it is based, follows the fate of an alternate United States taken over by the Axis powers following the Second World

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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