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Yi-Fen Chou: Artist as Scam

November 28, 2015February 14, 2021 bgoeltzenleuchter

Literature is filled with authors who used pseudonyms in an effort to get their work published. Often, members of minority factions have changed their names in order to seem more like the supposed mainstream ethnicity. So one can easily imagine a situation where an author, fearing that their name will

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Forgery as Art

November 28, 2015February 14, 2021 bgoeltzenleuchter

It sounds like the start of a bad joke: an art forger, after having stolen massive numbers of pieces, discovers that his own forgeries have also been stolen and replaced by an even worse forgery. Yet nevertheless, it happened. To summarize: Xiao Yuan, who was working at a librarian at

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Abramović’s Performance Blurs Lines Between Audience and Performer

November 27, 2015February 14, 2021 bgoeltzenleuchter

Until recently, performance art had not been widely accepted as a form of expression. However, one woman was able to change this public opinion in the mid-1970s. Born in Belgrade, Serbia, Marina Abramović’s first well-known performance piece proved that calling herself the “grandmother of performance art” is anything but inaccurate.

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Money, Power, and Exploitation

November 27, 2015February 14, 2021 bgoeltzenleuchter

The line between cultural appropriation and appreciation is thin, but some things just can’t be argued. Cultural appropriation is a highly contested issue, and yet again we see another example of this with the Inuit people. The Inuit are a people living in the North, whose clothing consists of parkas,

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Challenging Censorship in Korea

November 27, 2015February 14, 2021 bgoeltzenleuchter

K-pop, Korean pop, is a rapidly growing industry, reaching vast audiences across the globe. If anything, k-pop has more popularity internationally than they do in its own country. With more global influence and the shift to cater to international audiences, k-pop groups have moved to more risqué concepts that suit

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Ill-Planned Nazi Adverts for Phillip K. Dick Show

November 27, 2015February 14, 2021 bgoeltzenleuchter

Recently, Amazon released an episodic adaptation of Phillip K. Dick’s novel The Man in the High Castle through their TV streaming service. The show, like the book on which it is based, follows the fate of an alternate United States taken over by the Axis powers following the Second World

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Bloody Hell

November 26, 2015February 14, 2021 bgoeltzenleuchter

Recently, a Canadian art school student came under fire when a heart was found in a trash can near his house. This caused suspicion by local authorities, who jumped to the worst conclusion and concluded that this must be a human heart. The student didn’t respond with panic because the

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Exposing Vulnerability

November 26, 2015February 14, 2021 bgoeltzenleuchter

As the struggle against unrealistic body images portrayed in the media continues it takes extreme courage to stand up and put oneself in a vulnerable position in society. Jae West takes a stand against body shaming and unrealistic body expectations. “The Story of a Girl Undressing in Public” is a

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Good Intentions Don’t Always Lead to Good Responses

November 26, 2015February 14, 2021 bgoeltzenleuchter

In March, 2015, Kenneth Goldsmith is still reciting his conceptual, uncreative poetry of rearranging pre-existing documents, but this time decides to rearrange Michael Brown’s autopsy report and title it “The Body of Michael Brown.” The reading during the conference Interrupt 3 at Brown University received few responses from the audience

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Street League Skateboarding

November 26, 2015February 14, 2021 bgoeltzenleuchter

Street League Skateboarding was created by pro skater Rob Dyrdek in 2010 with the goal of bringing street skateboarding to a larger audience, while promoting the acceptance of the sport. Top pro’s in the street skateboarding scene compete at several tour spots around the world, with the opportunity to earn

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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