When Yugoslavia dissolved in the early 1990s, the resulting violence didn’t just claim human lives. It claimed memory itself. Across Bosnia, Croatia, and Kosovo, libraries, museums, archives, bridges, mosques, and churches were intentionally burned, shelled, or erased. In these conflicts, cultural heritage becomes a front line, not collateral damage. The

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Is the strong appreciation of the beauty of art that drives people to commit thievery and seize admired pieces from museums and collections? Who is to decide what is good or bad art? In contrast, would hatred and disapproval of certain art forms or styles eventually cause destruction through criminal

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