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Culiacan: Capital of the Narco-corrido Erupts into Flames After their “Prince” is Captured

April 24, 2023 David Monjaraz

Culiacán, Sinaloa, Mexico is known as the capital of the corrido, or Marco-corridos, in Mexico. With many famous Norteño And Banda groups coming out of this small city in Mexico, many write famous and powerful ballads to the drug lords that have been in control of Culiacán for decades. Culiacán

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Narco-corridos: The Musical Culture of Cartels

February 15, 2023February 13, 2023 Efren

The Mexican drug culture has long been controversial, surrounded by different opinions and perspectives. One aspect of this culture is Narcocorridos, or drug ballads, a subgenre of Mexican Folk music that narrates the stories of drug traffickers and their exploits. Narcocorridos are like journalism put to a song and often

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Street Fighter Vs. Ethnic and Cultural Stereotypes

March 9, 2022March 9, 2022 Ian McMartin

The Street Fighter franchise has enjoyed success for the last 34 years since its debut in arcades in 1987. It wouldn’t truly take off however until its 1991 sequel “Street Fighter II: The World Warrior”. Of course with a title like that you’d expect a decent amount of representation of

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Disney’s Day of the Dead Fiasco

December 11, 2021December 10, 2021 Lauren Holliday

It’s no secret that Disney is a massive media conglomerate. It has seen long lasting success since Walt Disney founded it in 1923, allowing it to be nostalgic and meaningful to several generations now, and rack up a long list of franchises, making it one of the most influential media

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Feminist Pints, The Artistic Crime

December 1, 2021November 29, 2021 Ariana Federico

The famous images that have circulated the world about the paintings made by feminists in Mexico as a protest are considered a crime classified by law. The countries of Latin America have a common denominator and it is the colonization to which they were forced with a religious and patriarchal

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Mexican Citizens Approve of High Treason (the game, that is)

November 28, 2021November 26, 2021 Maya Williams

In Juan Caloca’s virtual game, High Treason, the Mexican artist uses his artistic capabilities to further his criticisms of the Mexican government. In his ‘game’, there is no way to win. To preface this program made by Caloca, you have to understand a little bit of Mexico’s history of censorship.

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The Language of the Death, a photographic narrative on the Mexican drug cartels war

September 17, 2019February 14, 2021 Michel Galaviz

In the latest exposition by the conceptual artist Carlos Amorales, the artist compiled real and disturbing images of victims of the war on drugs in Mexico. In this work, the artists created a photo novel with the raw and graphic images of from the corpses (or remaining body parts) that

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Putting a Face on Crime Toll

May 1, 2019February 14, 2021 Annaiza Castellanos

Residents of the poor industrial city in Mexico, Ecatepec, have dedicated themselves to a community art project that has become a Mexican obsession. The citizens of this town are focused on visualizing victimhood, which essentially means broadcasting real people from the data. Marco Hernandez Murrieta is the president of the

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Corridosploitation

April 29, 2017February 14, 2021 bgoeltzenleuchter

Though I noted the subject had been touched on, I felt like there was more to add in regards to the Mexican ballads referencing the drug trade, known as “narcocorridos”. There are all types of ‘corridos’, ranging from those honoring war heroes to immigration advocacy, but I will focus specifically

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Mixe Community Fights Plagiarists

December 2, 2015February 14, 2021 bgoeltzenleuchter

The Santa Maria Tlahuitoltepec indigenous community in Oaxaca is considering taking legal action against fashion designer Isabe Marant for producing a blouse they believe bears an uncanny likeness to their own traditional garb. The Mixe people have made a statement saying: “Isabel Marant is committing a plagiarism because the Etoile

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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