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Sculpting the Truth: Art and Power from Ancient Rome to Modern North Korea

October 22, 2025October 21, 2025 Hailey Keegan

In 200 C.E., a painted wooden portrait from Egypt depicted the members of the Severan Dynasty: Emperor Septimius Severus, his wife Julia Domna, and their two sons, Geta and Caracalla. Adorned in gold and jewels, the family appeared united and powerful. In reality, this was far from the truth. If

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Are We Surprised?

December 13, 2021December 10, 2021 emchale6349

COVID-19, and almost everything surrounding it (in the US, at least), makes me angry. Or tired, or maybe depressed? Most likely, it’s all of the above to some extent. I don’t doubt that a majority, or at the very least a large sum of people feel the same about this

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Confederate Monuments Used as Propaganda

September 20, 2020February 14, 2021 Garrett Keller

The United States has long been a critic of governments using propaganda to subtle influence and controls its citizens. The US also goes out of there way to declare themselves a place where people from all cultures can feel safe and respected. One thing they are relatively silent on is

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“You Are Welcome Here”

October 11, 2017February 14, 2021 bgoeltzenleuchter

Ten months of fingerprints, an interview, an examination, close evaluations of my driving record and trips outside of the U.S. later, I have made it to my Naturalization Ceremony. Almost one year ago I applied to become a citizen of the United States of America, mailing in my N-400 application

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The Power in Political Posters

December 2, 2015February 14, 2021 bgoeltzenleuchter

Today the internet allows for political messages and movements to be spread throughout our nation and even the world almost instantly. With the rise in twitter hashtags seem to replace what used to be political posters and are used to show support and spread messages. For instance with all of

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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