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Savagery at its Finest

October 13, 2017February 14, 2021 bgoeltzenleuchter

There is a preconceived notion of many, that the hip hop and rap produced the current era has decreased in inherent value and has turned towards a less meaningful avenue. There is an implication that this type of music is not the art that it used to be, and therefore

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What has Brotha Lynch Hung sung?

September 29, 2017February 14, 2021 bgoeltzenleuchter

“Cut niggas up, sector by sector/Next to her dead, first cousin and nephew/Next to her head, bloody intestines/Next to her bed, other intestines.” If you’ve ever heard of this lyric, or something similar to it, you’re probably listening to horrorcore, a subgenre of hip hop that focuses on horror filled

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Dance with the Devil, and You’ll Sing About Rape

September 19, 2017February 14, 2021 bgoeltzenleuchter

In September 2001, Felipe Coronel of Harlem, New York, debuted as rapper Immortal Technique with his album Revolutionary Vol 1. For the last 16 years, Tech has established himself as a talented songwriter, musician, and social activist. On the surface, Tech appears like another successful pursuant of the American dream

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The Ballad of Brenda: Breaking the Boundaries of the Music Industry

September 13, 2017February 14, 2021 bgoeltzenleuchter

Each and every day, the human population is exposed to and at times bombarded with expressions of contemporary artistry. Often, these patterns and paradigms, as well as their cultural significance, go unseen and unnoticed. This does not occur intentionally, but rather thoughtlessly, just as one flips through a multitude of

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Murderer or Musician?

March 5, 2017February 14, 2021 bgoeltzenleuchter

In November 2014, a local San Diego man named Brandon Duncan (also known as Tiny Doo) was incarcerated on the basis that his rap music promotes gang violence in San Diego. According to ABC and the video by CNN News, he was prosecuted for profiting in relation to a gang

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Black Celebrities and Black Lives Matter

July 17, 2016February 14, 2021 bgoeltzenleuchter

http://www.thefader.com/2016/07/15/asap-rocky-black-lives-matter-police-violence-twitter This article presents artist A$AP Rocky’s response to recirculation of his 2015 interview with Time Out. The public seems to be upset with his lack of action involving police brutality of African Americans. Not every black person needs to speak out on behalf of the black community in these

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Lyrical Evidence

December 2, 2015February 14, 2021 bgoeltzenleuchter

Since the rise of NWA (Niggas with Attitude) in the late 1980’s and 1990’s gangster rap is a very popular genre of rap that seems to dominate the scene. Today we are entering our third generation of gangster rap that seems to be dominated by artist Kendrick Lamar. NWA (first

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My Friend Death: Tupac’s Attitude Towards Death Versus American Society’s

December 2, 2015February 14, 2021 bgoeltzenleuchter

Americans have a difficult time dealing with death. Death is the unknown; it is beyond human comprehension and people often fear what they do not understand. In the literary work “Rap as Wrap and Rapture,” author James W. Perkinson presents several examples in American society where our fear and denial

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Vince Staples & “Real” Rap Music

December 1, 2015February 14, 2021 bgoeltzenleuchter

N.W.A is known by most as the original west coast rap group. Hailing from south central, they were the toughest guys making the most in your face music about their day to day lives. It was something we had never seen before, and it was cool. With lyrics like “see,

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Who Made You Do It?

December 1, 2015February 14, 2021 bgoeltzenleuchter

Ice Cube, now a well-known actor and former member of highly successful rap group N.W.A, created a song in 2008 called “Gangsta Rap Made Me Do It.” Just within the first few seconds, the direction of the music video and song is set. The public reflection of rap is not

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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