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The Man Who Named a Road After His Name

September 27, 2019February 14, 2021 Jiahao Liu

  In 2017, Ge Yulu, 27, a graduate with a Master’s degree in Experimental Art from China Central Academy of Fine Arts (CAFA), rose to fame in China because of one of his works of art: he had secretly named a road in Beijing after himself three years ago, and

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How Melbourne proves that Graffiti is an Art Form

November 27, 2018February 14, 2021 Taylor York

The United States denounces graffiti as a criminal act and prosecutes graffiti artists as such. The law marks graffiti as a display of defacement or vandalism of an owner’s property. Regardless of the creativity behind graffiti, in the eyes of the law, there is never a circumstance where graffiti becomes

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Mural Featuring “Illicit Drugs” Removed from Private Property

October 31, 2017February 14, 2021 Lina H

In Kensington, Australia, there is a house in a neighborhood that is popular for artists to paint murals on. Since 1982, various artists have expressed views on politics, social issues, or just created interesting works on the side of the house. This past month, a bright and colorful mural of

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Getting Creative: Think Inside the Box

September 27, 2017February 14, 2021 bgoeltzenleuchter

On the city streets of San Diego, one of the most creative aspects are daily overlooked and passed by. They are the utility boxes. They are one of the first public art displays people see when exploring the city. Unfortunately it has been almost a decade in some areas since

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Political Activism Through Street Art

July 28, 2016February 14, 2021 bgoeltzenleuchter

This is a photo I recently took in Tijuana, Mexico. The mural on the left side depicts an authoritarian governmental figure that exploits the general public despite the public’s objection. Murals like the ones depicted and even those that do not communicate political messages are often painted over with grey

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Street Artists Put Climate Change Hypocrites in Their Place

December 1, 2015February 14, 2021 bgoeltzenleuchter

This year during the COP21 United Nations climate change conference in Paris, art activists in the city decided to use street art and performances to protest climate change and corporate sponsorship of the conference. The reasoning for this is the fact the sponsors for the event are, in reality, adding

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Shepard Fairey & The Hope Poster

December 1, 2015February 14, 2021 bgoeltzenleuchter

The “Hope” poster created for Barack Obama’s 2008 presidential campaign is perhaps the most iconic presidential campaign poster of all time. The poster is a stencil style portrait of the President with the word “hope” directly under the image. It was created by contemporary street artisit Shepard Fairey, who prior

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Famous Graffiti Artist Faces Charges for Tagging Buildings

November 29, 2015February 14, 2021 bgoeltzenleuchter

Even famous artists can still face criminal charges for their acts despite their reputations. Most popular for his iconic Obama “Hope” poster, world-renowned street artist Shepard Fairey was arrested earlier this year on a felony charge in Detroit for tagging several buildings. In July of 2015, he was arraigned on

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New Art Park in San Diego

November 6, 2015February 14, 2021 bgoeltzenleuchter

There has recently been discussion in the local San Diego area regarding the opening of an art park and program where artistically talented individuals would be legally able to display their art. The space for this park would be at an underpass beneath the 163 Highway. The proposal was made

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Space Invaders

October 26, 2015February 14, 2021 bgoeltzenleuchter

Invader was born in Paris in 1969. While his real name is unknown, his street art, with the help of his small team called Space Invaders, is well known in a total of 60 cities and 30 countries around the world. His mosaics, featuring characters from video games in the

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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