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“Terror Chic” Hits Runways

November 29, 2015February 14, 2021 bgoeltzenleuchter

Inspiration for fashion can stem from any source; however, John Galliano is one of the very few fashion designers in the world who can say that he drew inspiration from war. In 2008, he debuted his menswear collection at Paris Fashion Week, and received both positive and negative feedback as

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Terrorism or Art and Crime

April 24, 2013February 14, 2021 bgoeltzenleuchter

Oil is often referred to as liquid gold. Iran happens to sit on a sea of oil, but they never get to see the profits. Why? Because the oil is actually owned by Great Britain and Western Oil Companies despite Iran’s attempts to restore rightful ownership. Osama Bin Laden was

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Terrorist Assumptions

April 11, 2013February 14, 2021 bgoeltzenleuchter

This is a mural by Brazilian graffiti duo Os Gêmeos, commissioned by the Institute of Contemporary Art in Boston. There has been controversy behind this art piece that wasn’t made to be controversial. According to Fox News, they found people that thought of this mural to be representative of a

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The Esthetics of Hardware Design

February 11, 2013February 14, 2021 bgoeltzenleuchter

Some unreported facts behind the 2007 Boston terror scare: The “hoax devices” were based on Night Writer, a low-cost electronic LED graffiti device developed by Graffiti Research Lab. Here is G.R.L.’s mission statement: “Outfitting graffiti writers, artists and protesters with open-source tools for urban communication.” Unfortunately this statement contains an

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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