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Day: July 27, 2016

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Performance Artist Arrested For Public Indecency

July 27, 2016February 14, 2021 bgoeltzenleuchter

Performance art often skirts the line between criminal and art and Milo Moiré was a little too much on the criminal side and was arrested by the London police for public indecency. Moiré’s newest work, Mirror Box, allowed the public to touch her breast and vagina in this mirror box

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YOLO!! No for real, You only live once, don’t die for a squirtle

July 27, 2016February 14, 2021 bgoeltzenleuchter

Now don’t get me wrong, I am a huge fan of the Pokemon Go app (I have seen and talked to more people outside in the last month than the last year). What I am not a fan of is blatant stupidity, idiocy- despite its inherent consequential tendency toward those

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Japan’s Lolicon Problem

July 27, 2016February 14, 2021 bgoeltzenleuchter

Japan has already been mentioned in class for having little to none violent crime, with the exception of sexual abuse of minors. Japan has turned heads before for it’s unabashed standards of sexuality and to Westerners, catering to strange fetishes in the form of vending machines of used panties, sexual

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Is it glorifying crime or fighting stereotypes?

July 27, 2016February 14, 2021 bgoeltzenleuchter

Dope is a film about a young African-American high school senior named Malcolm, who accidentally finds himself in possession of drugs and a weapon after attending a party hosted by a drug dealer named Dom. The party ended after a shoot out between the rival gangs and police intervention. Despite

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Controversial Art banned on Facebook

July 27, 2016February 14, 2021 bgoeltzenleuchter

Is censorship ever justified and acceptable? Cuban artist Erik Ravelo created a controversial photography project titled “Los Intocables” which means “The Untouchables”. This project is designed to point out and discuss the topic of violence against children across the globe. The art project consists of many photographs in which each

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About Us

The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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