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‘In the meantime I died…’

May 8, 2019February 14, 2021 Floris Steenvoorden

If we translate the poster in the pictures of Foundation ALS from Dutch to English it says: ’Ik ben inmiddels overleden’ which means ‘In the meantime I died’. Yes, you’re reading it correct: the people in the picture sadly lost their fight against ALS and they passed away. Foundation ALS

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Victim Fashion: Goes heated ProRail Campaign too far?

April 18, 2019February 14, 2021 Floris Steenvoorden

On 4th of April 2019, ProRail (a Dutch railway company) launched an online store for clothes with the slogan: ‘Victim Faction, created by accident.’ The clothes, such as destroyed jackets and jeans, are replicas of clothes from youth victims who got hit by a train. On the website of Victim

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Recreating Celebrities’ Final Moments

July 18, 2017February 14, 2021 bgoeltzenleuchter

From John F. Kennedy to Princess Diana, there are certain public deaths that capture the attention of the world. Have you ever wondered what Whitney Houston’s final moments were like, or what it feels like to be hunted like Muammar Gaddafi before being killed? No more speculation is required, because

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Girls Going Wild in Red Light District

April 26, 2013February 14, 2021 bgoeltzenleuchter

Are you an aspiring young dancer? Watch out who you work for because every year, thousands of women are promised a dance career in Western Europe but end up being exploited in the sex industry. This video for the Awareness campaign was created by Duval Guillaume Modem and produced by

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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