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Lego and Ai

November 28, 2015February 14, 2021 bgoeltzenleuchter

In the past few months, Chinese activist artist Ai Weiwei once again entered the spotlight, albeit for a less dire reason than he has in years past. Ai, hoping to use Legos for an art exhibit, found his request for a bulk purchase denied by the company. The Lego corporation,

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Facebook Censors Art Project About Violence Against Children

November 12, 2014February 14, 2021 bgoeltzenleuchter

Eric Ravelo’s newest artwork regarding violence against children has been censored by Facebook. The art project, entitled “Los Intocables,” or “The Untouchables,” is art created through human sculpture that portrays the issues that are tormenting children all over the globe. Ravelo believes that “the right to childhood should be protected,”

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Carpet Crime Scene

November 10, 2014February 14, 2021 bgoeltzenleuchter

Upon first glance, it is apparent that this photo shows a rug with a colorful, incredibly detailed design. Another aspect of it that is clear to the viewer is the condition of the rug, which is obviously wrinkled in a strange manner. Further inspection reveals that these wrinkles resemble a

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Degenerate Art: The Art and Culture of Glass Pipes

April 24, 2013February 14, 2021 bgoeltzenleuchter

This is a documentary, written and directed by a glass pipe artist, that explores the topic of glass blown pipes, and the subculture that has formed to embrace it. However, due to it’s connections to marijuana and other drugs, the glass pipes are considered paraphernalia by the government. The artists

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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