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Art vs. The Destruction of Innocence

November 22, 2012February 14, 2021 bgoeltzenleuchter

In the 1970’s, pop artist Larry Rivers filmed his documentary entitled “Growing,” The documentary depicted his adolescent daughter’s topless. Twice a year for six years, Rivers filmed his two daughters Emma and Gwynne, sometimes just with their breasts exposed, sometimes naked, as he asked them questions about their bodies and

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Corridos as a form of Art.

November 22, 2012February 14, 2021 bgoeltzenleuchter

The Corridos are popular narrative songs and poetry form from Mexico. These songs are often about oppression, history, daily life of someone who is or was involved in the Mexican Cartel. However, this type of music is illegal in Mexico due to the explicit content on the lyrics of these

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The Broadway play Bonnie & Clyde…crime or art???

November 22, 2012February 14, 2021 bgoeltzenleuchter

In CJ 302, we recently talked about what is cultural criminology. It is basically the collective meaning of norms, art, and entertainment with interation with crime. We, as a society, are obessed with crime so we continue to make different forms of it in order to create entertainment for ourselves

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Murder and Poetry

November 22, 2012February 14, 2021 bgoeltzenleuchter

Murder has been used as plot in a story for centuries.. “Cirmesploitation”?

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Graffiti or Art?

November 22, 2012February 14, 2021 bgoeltzenleuchter

Many people believe that graffiti is a crime but always seem to miss the beauty and messages that come with it. A lot of graffiti is created by someone with a artistic mind that can only fit their thoughts on a huge wall like this picture. this is located on

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“Weegee” Crime Photographer

November 22, 2012February 14, 2021 bgoeltzenleuchter

Arthur Fellig, better known as Weegee, was a photographer and photojournalist in 1930s and 40s New York. He documented crime scenes, gangster arrests, and the crowd’s reactions to crimes almost in a glorified fashion. He published a photography book, as well as created an art exhibit of his grisly photography

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Understandable Criminals

November 22, 2012February 14, 2021 bgoeltzenleuchter

Hollywood movies such as Ocean’s Eleven, Catch Me If You Can, and The Godfather glorify crime and criminal behavior. In Ocean’s Eleven, a group of thieves rob a casino. The art of movie making has become increasingly interested in turning criminal behavior from socially unacceptable to socially desirable. In these

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Coloring the white city – Belgrade stencil art documentary

November 22, 2012February 14, 2021 bgoeltzenleuchter

When many people envision an urban landscape they see opportunity, adventure and excitement. Street artists on the other hand see a blank canvas in which they can visually express their individual ideals. Although critics view the median of this art form illegal and consider it as vandalism or graffiti, can

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Exit Through the Gift Shop

November 22, 2012February 14, 2021 bgoeltzenleuchter

Exit Through the Gift Shop is a 2010 documentary that explores the inside story of street art. A French shop keeper turned hopeful film-maker ventures out to capture some of the world’s most infamous graffiti artists in action. His main goal is to find Banksy (an alias name), an artist

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Is Hip-Hop a Crime?

November 22, 2012February 14, 2021 bgoeltzenleuchter

Often our society views hip-hop as a negative form of art and can lead to crime just by listening to it. In the song “Criminal” by Eminem, he talks about how society and the media portrays him as a criminal just because he has edgy and controversial lyrics in his

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About Us

The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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