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Pedro Castro

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Ghostwriting in Music: Theft or Collaboration?

December 2, 2024 Pedro Castro

In the music world, the face of a singer or rapper often becomes the symbol of a song’s success. Fans idolize performers, assuming that powerful lyrics and catchy melodies come directly from their favorite stars’ minds. However, behind many chart-topping tracks is a hidden figure: the ghostwriter. These unseen contributors

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How Art is Being Used as a Canvas for Protests

November 18, 2024 Pedro Castro

In recent years, activists have begun targeting famous artworks to protest the fossil fuel industry. While these acts might seem random, they are designed to draw attention to the climate crisis and expose the ties between major art institutions and oil companies. Whether you view these actions as necessary or

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The British Museum and Cultural Ownership: A Controversial Legacy of Acquisitions

October 16, 2024October 15, 2024 Pedro Castro

The British Museum is one of the most prestigious institutions in the world. It houses over eight million artifacts spanning numerous cultures and eras. However, the origins of some of the pieces have sparked controversial discussions among many. Mainly, the museum is often criticized for holding artifacts that some believe

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Origins of Gang Tattoos to their Modern Symbolism

October 5, 2024October 4, 2024 Pedro Castro

Dating back to ancient civilizations, tattoos have been used as a way to show expression, status, and belonging. Today, they are particularly significant in gang cultures as they serve as a sign of loyalty and identity. This article will delve deep into the origins of gang tattoos and the evolution

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About Us

The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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