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The Houston Astros: The Beauty and the Beast of Baseball

September 25, 2020February 14, 2021 Ryan Grove

Baseball has a certain beauty to it that can not be seen in any other sport. If you fail 70 percent of the time at the plate over the course of a season, you are considered an Allstar. Players are expected to fail at this game, and the ones that

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Typecasting on Dance Moms

September 24, 2020February 14, 2021 Emma Webber

Dance moms is reality television show about young girls training on an elite competition dance team. Although the show has created several young stars, including Jojo Siwa and Maddie Ziegler, it is not always rhinestones, tiaras, and smooth sailing. Abby Lee Miller, the main dance teacher on the show, has

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Urban Outfitters: Disrespecting Communities One Shirt at a Time

September 23, 2020February 14, 2021 Amanda Chavez

While the most famous Urban Outfitters (UO) scandal is arguably the release of a blood-stained ‘vintage’ Kent State sweater that makes light of the horrific shooting that occurred at the university in 1970, the other UO scandals have seemingly been pushed into the dark once again. With up to thirteen

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Concerns of Ownership

September 22, 2020February 14, 2021 Kalyn Davis

The auction house Neumeister in Germany held a live auction earlier this year in May for the first time when the country was easing up on their lockdown restrictions. One of the main pieces that was being auctioned was a painting by Carl Spitzweg named The Eye of the Law

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Illegal Fan Art

September 22, 2020February 14, 2021 Alexa Joy Fernandez

  Whether a book, a television show, a cartoon, or a comic, there is a fanbase for almost every series on the planet, and where there is a fanbase, fan art is bound to be found. Fan art is often a very controversial topic (the debate of legality and if

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Weaponized Art

September 20, 2020February 14, 2021 Gabriela Fellingham

When looking at the history of art and art ownership, it is evident that art has commonly been created by artists from lower classes specifically for the use of society’s wealthy, powerful figures. Although an artist would create their art and be compensated for it, the message of the art

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Animalistic Crime of a Mother

September 20, 2020February 14, 2021 Fianca Nicole Banca

Gabriel Fernandez was an eight year old boy who was experiencing domestic violence. His story touches upon the animalistic crimes of his parents and how the system failed to save him. Gabriel’s case involved so many people, with social workers, police officers, teachers, and family members that knew something was

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Confederate Monuments Used as Propaganda

September 20, 2020February 14, 2021 Garrett Keller

The United States has long been a critic of governments using propaganda to subtle influence and controls its citizens. The US also goes out of there way to declare themselves a place where people from all cultures can feel safe and respected. One thing they are relatively silent on is

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The Origins of Blotter Art

September 20, 2020February 14, 2021 S. Lowe

Purple Jesus. Beavis and Butt-Head. A Pegasus flying through the night sky. You would be hard-pressed to find a common denominator between the three, but the answer lies in San Francisco, California. All of those transcending images are on display as blotter art at Mark McCloud’s “Blotter Barn”, an expansive

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Proximity\’s Relationship to Art and Crime

September 20, 2020February 14, 2021 Abbey Korte

Where and how artwork is displayed can oftentimes have just as much effect on the viewer’s experience as the artwork itself. A piece can be meant to be admired from afar, or from as close as possible – this can be pre-determined by the artist themselves or be a happenstance

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About Us

The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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