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Manscaped & Gender Equality In the Late-Capitalist Market

October 12, 2021October 12, 2021 Alexandra Ximena Milla Goñi

**(Recently on the archive, another article was published on Manscaped’s eye-catching marketing tactics. While both articles were conceived of independently with no prior knowledge on either author’s part, I encourage readers to also read over Chloe King’s article, as well, as it offers a separate but related and valuable perspective.)**

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The “Perfect” Fit: Who Needs Privacy When You Can Get Targeted Ads?

April 1, 2021April 2, 2021 Abbey Korte

The life of a consumer has evolved in so many ways over the last century and has taken on many forms and has had many purposes. One could consume out of necessity, out of an abundance of wealth, out of the urge to prove something. It is obvious though, that

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How Businesses Continued to Profit Off of John Oliver

March 26, 2018February 14, 2021 GPE

On HBO, John Oliver hosts his own television series called Last Week Tonight With John Oliver which air Sunday at 8 p.m. PST. In his show, Oliver touches upon some current events that have happened during the week around the world and has a large segment of his show dedicated

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Capitalism and the so-called art of seduction

November 2, 2015February 14, 2021 bgoeltzenleuchter

Self-titled pick up artists Vince Kelvin, Arash Dibazar, Nick Hawk, Julien Blanc and ‘Bad Boy,’ are a group of men who have supposedly cracked the secret code to picking up women, so much so that they have begun to call it an art. This art is all about seduction and

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Anti-Capitalist Louvre Art

April 26, 2013February 14, 2021 bgoeltzenleuchter

On April 24, french artist and member of the Arte Povera movement, Michelangelo Pistoletto, debuted a very interesting piece of art. For the first time in its history, the Louvre allowed an artist to paint on the beautiful glass pyramid that lies outside of the museum, itself. This piece of

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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