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Health-Food Marketing: Guilt-Free?

November 29, 2021November 26, 2021 emchale6349

The health and diet food market has a long history of selling us misinformative and fear-mongering slogans to get us to buy their products. It tells us what foods are “detoxifying” versus “poisonous,” what is a “guilty pleasure,” and what is “innocent.” Of course, all foods vary in nutritional value,

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Dana White: President or Controversy Marketing Mastermind?

October 11, 2018February 14, 2021 Daniel Teeling

If you keep up with sports, you are probably familiar with not only the result of UFC’s most viewed Pay-Per-View to date, but also the controversy surrounding the buildup and post-fight antics that took place. After defeating Conor McGregor convincingly in the fourth round, Khabib Nurmagomedov jumped out of the

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The duality of graffiti

October 24, 2012February 24, 2021 bgoeltzenleuchter

I have no doubt that this will be the first of many, many posts on the complexity of graffiti. In La Mesa, CA, where I live, the act of making graffiti is unlawful, as is possession on public property of anything deemed an instrument of graffiti (spray paint, oversized markers,

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The Beauty of Animal Testing

October 22, 2012February 24, 2021 bgoeltzenleuchter

In a campaign to highlight the tortuous treatment inflicted upon animals in cosmetic lab testing, Lush, a ‘cruelty-free’ make up chain, along with the Humane Society International put on display a re-enactment of cosmetic testings on a woman, instead of an animal. A social sculpture student volunteered to be tortured

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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