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“Son Discovers His Father’s Life of Crime Is Now a Work of Art by Warhol”

November 12, 2014February 14, 2021 bgoeltzenleuchter

George Lawler was in for a major surprise when he found out that his father was the muse for proclaimed artist, Andy Warhol. Lawler was adopted at the age of 2 by his mother’s sister and her husband. At the age of 14 his adopted father told him that his

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Graffiti Art

March 31, 2014February 14, 2021 bgoeltzenleuchter

I find this image very beautiful and an incredible art form, yet many people may believe this is a complete act of vandalism. I do not think all graffiti art is beautiful but at the same time much of it is. I do not agree with breaking the law but

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Honore Fragonard, The Gravedigger

April 27, 2013February 14, 2021 bgoeltzenleuchter

This one is pretty graphic and creepy, but it’s about an 18th century French anatomist named Honore Fragonard, cousin of Jean Honore Fragonard. Originally, he was a professor of anatomy at a university, but was expelled six years later as a madman. Honore Fragonard would acquire corpses, sculpt them into

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What is Abstract Art?

April 26, 2013February 14, 2021 bgoeltzenleuchter

This is a question that has really made me think a lot in regards to many pieces of what we call “abstract” art. For instance, I’ve thought “If I poke a hole in a cup and fill is with red fluid, and let it run, can I can I call

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Woman Photographs Herself Receiving Strange Looks in Public

April 26, 2013February 14, 2021 bgoeltzenleuchter

In a complicated twist of mild voyeurism and exhibitionism, this woman makes what I consider art, in the form of capturing others responses to her presence in front of a tripod and camera. Photographer Haley Morris-Cafiero explains, “I now reverse the gaze and record their reactions to me while I

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Graffiti to the MAX

April 26, 2013February 14, 2021 bgoeltzenleuchter

IM SORRY I KNOW GRAFFITI IS GETTING SO OLD but my boyfriend literally JUST put this on my Facebook wall and it takes it to whole other level. This piece, done by a artist under the pseudonym Blu, is titled “BIG BANG BIG BOOM: an unscientific point of view on

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The Influence of Crime on Art

April 26, 2013February 14, 2021 bgoeltzenleuchter

In addition to all the recent posts involving art pieces that have an element of crime to them, I would like to point out that the occurrence of crime is often a powerful catalyst for moving artworks. This painting by Pablo Picasso, entitled Guernica, was created in response to a

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Taking street art to the sky

April 26, 2013February 14, 2021 bgoeltzenleuchter

In Brad Downey’s art piece he uses a plane to fly a banner with the image of cloud in the sky. He did this piece of art in order to shake people out of their typical ways of thinking. Jeremy Abernathy of the Huffington Post said, he is “throwing an

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Destroyed Bibles Displayed for Art Exhibit

April 24, 2013February 14, 2021 bgoeltzenleuchter

Deliberately burning or destroying a Bible to make an artistic or political statement is not novel in this more secular age. What’s so unusual about this exhibit is that the artist, Paul Roorda, isn’t burning Bibles to make a statement against the book or the religion. To destroy a Bible

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The Art of Crime in the Arts

April 24, 2013February 14, 2021 bgoeltzenleuchter

Now, this is the article where crime and art definitely overlap. “Crime, prevention and security in the arts – tips from the experts” is a piece I found on the Cultural Professionals UK News Website, written by Matthew Caines. Caines discusses that “crime prevention is all about identifying the threats,

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About Us

The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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