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Let’s Play a Game: What’s in the Paint?

October 13, 2017February 14, 2021 bgoeltzenleuchter

For a moment, I’d like you, the reader, to imagine yourself as an artist. You are more than likely an intellectual, capable of viewing the world from a multitude of perspectives beyond that of the average person. Perhaps you are conservative in your work, meticulous in planning, and take months

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Sophie Calle is Invading Everyone’s Privacy (Kind of)

December 2, 2015February 14, 2021 bgoeltzenleuchter

Sophie Calle is an installation artist, photographer and writer from France. Her projects often explore the relationship between someone’s private life and public persona, and the concept of these two in general. Calle is known for going to great lengths to inspect people’s private lives for her work. One project

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Her best performance yet?

December 1, 2015February 14, 2021 bgoeltzenleuchter

Marina Abramovic is touted as one of the most notable perfomance artists. She is nearly 70, and has an extensive profile of work. I recall vividly two of her works. The first features her and a lover, with an arrow poised to shoot at her. It’s part of a greater

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Petr Pavlensky: A Dissident Artist

December 1, 2015February 14, 2021 bgoeltzenleuchter

“My actions should be minimal. Every movement by the authorities pulls them deeper and deeper in. They become involuntary participants in the production of my art” is a quote said by Petr Pavlensky from an article of the Calvert Journal. Petr Pavlensky is an artist from Russia. He uses his

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Giving Ana Mendieta a Voice

November 30, 2015February 14, 2021 bgoeltzenleuchter

Doing a quick google search of female artists pulls up a variety of sources, primarily young, white actresses and singers. Minorities are heavily ignored in the art world, but many people are coming into the foreground and ther woman I stumbled upon is Ana Mendieta. She was a Cuban-American artists

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Joseph Gibbons: Artist or Thief?

November 30, 2015February 14, 2021 bgoeltzenleuchter

For many years, artists have been dabbling with crime in the name of art or to create an art piece. However, Joseph Gibbons, a former MIT lecturer and filmmaker, seems to have taken this idea to the extreme. He is a performance artist who specializes in autobiographical confessionalism. He uses

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Bryan Saunders-Drug Altered Art

November 29, 2015February 14, 2021 bgoeltzenleuchter

Bryan Lewis Saunders is an incredibly wild artist to say the least. From performance art and spoken word to painting self-portraits on drugs, Saunders breaks boundaries of self-expression. Included are photos from the project Saunders created where he took different drugs and created self-portraits. Many of these drugs I have

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Bloody Hell

November 26, 2015February 14, 2021 bgoeltzenleuchter

Recently, a Canadian art school student came under fire when a heart was found in a trash can near his house. This caused suspicion by local authorities, who jumped to the worst conclusion and concluded that this must be a human heart. The student didn’t respond with panic because the

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Defying War and Pursuing Art

November 25, 2015February 14, 2021 bgoeltzenleuchter

Fadi Yazigi, a Syrian artist, has not let the issues happening in Syria stop him from creating art. Since the Syrian Civil War began in 2011, the art scene has disappeared. Also, with all of the issues and violence happening in Syria, Damascus is not a safe place. Yazigi explains

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“The Color Project” to use art to address crime, health issues in Ensley; grant enables first mural

November 11, 2014February 14, 2021 bgoeltzenleuchter

“The Color Project” is being done by a group of artists called the Rtists. They are aiming to create a more “colorful” and positive atmosphere in Ensley, Alabama. They got their first grant of $15,000 which will allow the group to paint their first mural. The Rtists hope that by

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The Art | Crime Archive (ACA) is a collaborative laboratory, teaching center, and web-based platform devoted to the study of the shadow space where art and crime overlap. The ACA’s online platform was created in 2012 and since its inception has functioned as a participatory archive for a wide range of scholars, artists, students, and community members. The ACA welcomes submissions of media and accompanying short essays on art, crime, and culture. The ACA peer-reviews submissions and only accepts materials that significantly contribute to the broader academic and artistic discourses on creativity and actual criminal behavior. As a general rule, it does not publish submissions related to crime fiction or figurative works.

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